Thursday, 15 March 2012
Sunday, 11 March 2012
I don't know anything if it isn't connected to pop culture
Cory talking about his art 42.20 is the section where he comes clean
Individual involvement and choice
The individual being involved in the storytelling device
No longer the singular hero of the novel
Colossal cave adventure
No longer the singular hero of the novel
Colossal cave adventure
Thursday, 8 March 2012
Pixelocracy : The problems of production, dispersion and progression of meaning in a mediated society
There are infinitesimal thought models through which to 'deal-with' / organise the world and create commonal and relational systems of meaning; especially that of the art-world which is in a constant state reassessment and self-awareness. The many arguments surrounding the organisation of institutions, governments, businesses etc. in the last few centuries have been affected, to a large extent, by their relationship to the development of media and communication technologies; systems theory, cybernetics etc.
This seminar and discussion group aims to explore a brief history of Media, in all its forms and guises from the printing presses through to cyberspace [circa 1990].
'The fastest way from zero to infinity' is how the 19th Century para-physician Albert Jarry referred to the concept of God but is also an adequate starting point towards an understanding of progression and technology. Other topics for discussion will include: The production of the mythic meme, the encoding of culture, the amateur up-loader as a force for disturbance, the pixelocratic description of a subject through numeration.
This seminar and discussion group aims to explore a brief history of Media, in all its forms and guises from the printing presses through to cyberspace [circa 1990].
'The fastest way from zero to infinity' is how the 19th Century para-physician Albert Jarry referred to the concept of God but is also an adequate starting point towards an understanding of progression and technology. Other topics for discussion will include: The production of the mythic meme, the encoding of culture, the amateur up-loader as a force for disturbance, the pixelocratic description of a subject through numeration.
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